Εμφάνιση αναρτήσεων με ετικέτα ΚΑΛΛΙΤΕΧΝΕΣ. Εμφάνιση όλων των αναρτήσεων
Εμφάνιση αναρτήσεων με ετικέτα ΚΑΛΛΙΤΕΧΝΕΣ. Εμφάνιση όλων των αναρτήσεων
Τρίτη 13 Δεκεμβρίου 2011
Τα ''μέταλλα''... πριν γίνουν σταρ
Alice Cooper
Αγνώριστος ο σκληρός μεταλλάς, με φραντζούλα και γραβάτα, σε τίποτα δεν προϊδεάζει ότι θα εξελιχθεί στον Alice που όλοι ξέρουμε. Η φωτογραφία είναι από τα σχολικά του χρόνια, το 1966, όταν φοιτούσε ακόμα στο Cortez High School στο Phoenix. Λίγα χρόνια αργότερα, το 1969, ο Cooper, που το πραγματικό του όνομα είναι Vincent Furnier, κυκλοφόρησε το πρώτο του άλμπουμ, σε ηλικία 21 ετών.
Αγνώριστος ο σκληρός μεταλλάς, με φραντζούλα και γραβάτα, σε τίποτα δεν προϊδεάζει ότι θα εξελιχθεί στον Alice που όλοι ξέρουμε. Η φωτογραφία είναι από τα σχολικά του χρόνια, το 1966, όταν φοιτούσε ακόμα στο Cortez High School στο Phoenix. Λίγα χρόνια αργότερα, το 1969, ο Cooper, που το πραγματικό του όνομα είναι Vincent Furnier, κυκλοφόρησε το πρώτο του άλμπουμ, σε ηλικία 21 ετών.
Πέμπτη 6 Οκτωβρίου 2011
Τετάρτη 31 Αυγούστου 2011
Τετάρτη 17 Αυγούστου 2011
Παρασκευή 18 Μαρτίου 2011
Κόκκινος κύκλος – Μουσική
Black Heart Procession - A Cry for Love
Black Heart Procession - A Light So Dim
Anathema - A Natural Disaster
Archive - Again
Anathema - Are You There
Blackfield - Blackfield
16 Horsepower - Brimstone Rock
Lisa Gerrard & Pieter Bourke - Broken
16 HorsepoweR – burning bush
The Walkabouts - Desierto
Midnight Choir - Don't Turn Out The Light
Tenderloud - Down My Way
Godspeed You! Black Emperor - East Hastings
The Black Heart Procession - Evey Thieves Couldn't Lie
Mazzy Star - Fade Into You
Bush - Greedy Fly
Madrugada - Hands up I love you
Midnight Choir - Harbour Hope
16 Horsepower - Haw
Morrisey - Let Me Kiss You
Archive - Lights
Midnight Choir - Long Hard Ride
16 Horsepower - Low Estate
Blackfield - Lullaby
Midnight Choir - Mercy of Maria
The Walkabouts - Midnight Choir
Midnight Choir - Muddy River Or Loneliness
Placebo - My Sweet Prince
Blackfield - Pain
Placebo - Post Blue
Nick Cave & the Bad Seeds - Red Right Hand
God Speed You! Black Emperor - Sad Mafioso
The Walkabouts - Shot Bayou
Black Rebel Motorcycle Club - Shuffle your Feet
Madrugada - Sirens
Woven Hand - Sparrow Falls
16 Horsepower - Splinters
Black Heart Procession - Square Heart
Madrugada - Strange Colour Blue
The Black Heart Procession - Sympathy Crime
Midnight Choir - Talk to Me
Placebo - The Crawl
16 Horsepower - The Denver Grab
Lisa Gerard - The Human Game
Madrugada - The kids are on high street
The Walkabouts - The Light Will Stay On
Woven Hand - The Speaking Hands
The Black Heart Procession - The Spell
The Walkabouts - The Train Leaves At 8
Marianne Faithfull - There Is A Ghost
Goran Bregovic - TV SCREEN [Featuring Iggy Pop]
Midnight Choir - Unsung Heroine
Midnight Choir - Violence of the World
Portishead - Wandering star
Black Heart Procession - We Always Knew
Tenderloud - White Lines
Madrugada - You Better Leave
Tenderloud - Shadow Red Hand
Pink Floyd - Animals (Album)
Animals is the tenth studio album by English progressive rock group Pink Floyd, and was released in January 1977. A concept album, it provides a scathing critique of the social-political conditions of 1970s Britain, and presents a marked change in musical style from their earlier work. Animals was recorded at the band's studio, Britannia Row, in London, but its production was punctuated by the early signs of discord that several years later would culminate in keyboardist Richard Wright leaving the band. The album's cover image, a pig floating between two chimneys on Battersea Power Station, was designed by bassist and writer Roger Waters, and produced by long-time collaborator Hipgnosis.
Concept
Animals was the child of another Waters concept; loosely based on George Orwell's political fable Animal Farm, its lyrics described various classes in society as different kinds of animals; the combative dogs, despotic ruthless pigs, and the "mindless and unquestioning herd" of sheep.Whereas the novella focuses on stalinism, the album is a critique of capitalism and differs again in that the sheep eventually rise up to overpower the dogs.The album was developed from a collection of unrelated songs into a concept which, in the words of author Glenn Povey, "described the apparent social and moral decay of society, likening the human condition to that of mere animals."
Dogs (Waters, Gilmour) Lyrics
You gotta be crazy, you gotta have a real need.
You gotta sleep on your toes, and when you're on the street,
You gotta be able to pick out the easy meat with your eyes closed.
And then moving in silently, down wind and out of sight,
You gotta strike when the moment is right without thinking.
And after a while, you can work on points for style.
Like the club tie, and the firm handshake,
A certain look in the eye and an easy smile.
You have to be trusted by the people that you lie to,
So that when they turn their backs on you,
You'll get the chance to put the knife in.
You gotta keep one eye looking over your shoulder.
You know it's going to get harder, and harder, and harder as you
get older.
And in the end you'll pack up and fly down south,
Hide your head in the sand,
Just another sad old man,
All alone and dying of cancer.
And when you loose control, you'll reap the harvest you have sown.
And as the fear grows, the bad blood slows and turns to stone.
And it's too late to lose the weight you used to need to throw
around.
So have a good drown, as you go down, all alone,
Dragged down by the stone.
I gotta admit that I'm a little bit confused.
Sometimes it seems to me as if I'm just being used.
Gotta stay awake, gotta try and shake off this creeping malaise.
If I don't stand my own ground, how can I find my way out of this
maze?
Deaf, dumb, and blind, you just keep on pretending
That everyone's expendable and no-one has a real friend.
And it seems to you the thing to do would be to isolate the winner
And everything's done under the sun,
And you believe at heart, everyone's a killer.
Who was born in a house full of pain.
Who was trained not to spit in the fan.
Who was told what to do by the man.
Who was broken by trained personnel.
Who was fitted with collar and chain.
Who was given a pat on the back.
Who was breaking away from the pack.
Who was only a stranger at home.
Who was ground down in the end.
Who was found dead on the phone.
Who was dragged down by the stone.
Concept
Animals was the child of another Waters concept; loosely based on George Orwell's political fable Animal Farm, its lyrics described various classes in society as different kinds of animals; the combative dogs, despotic ruthless pigs, and the "mindless and unquestioning herd" of sheep.Whereas the novella focuses on stalinism, the album is a critique of capitalism and differs again in that the sheep eventually rise up to overpower the dogs.The album was developed from a collection of unrelated songs into a concept which, in the words of author Glenn Povey, "described the apparent social and moral decay of society, likening the human condition to that of mere animals."
Dogs (Waters, Gilmour) Lyrics
You gotta be crazy, you gotta have a real need.
You gotta sleep on your toes, and when you're on the street,
You gotta be able to pick out the easy meat with your eyes closed.
And then moving in silently, down wind and out of sight,
You gotta strike when the moment is right without thinking.
And after a while, you can work on points for style.
Like the club tie, and the firm handshake,
A certain look in the eye and an easy smile.
You have to be trusted by the people that you lie to,
So that when they turn their backs on you,
You'll get the chance to put the knife in.
You gotta keep one eye looking over your shoulder.
You know it's going to get harder, and harder, and harder as you
get older.
And in the end you'll pack up and fly down south,
Hide your head in the sand,
Just another sad old man,
All alone and dying of cancer.
And when you loose control, you'll reap the harvest you have sown.
And as the fear grows, the bad blood slows and turns to stone.
And it's too late to lose the weight you used to need to throw
around.
So have a good drown, as you go down, all alone,
Dragged down by the stone.
I gotta admit that I'm a little bit confused.
Sometimes it seems to me as if I'm just being used.
Gotta stay awake, gotta try and shake off this creeping malaise.
If I don't stand my own ground, how can I find my way out of this
maze?
Deaf, dumb, and blind, you just keep on pretending
That everyone's expendable and no-one has a real friend.
And it seems to you the thing to do would be to isolate the winner
And everything's done under the sun,
And you believe at heart, everyone's a killer.
Who was born in a house full of pain.
Who was trained not to spit in the fan.
Who was told what to do by the man.
Who was broken by trained personnel.
Who was fitted with collar and chain.
Who was given a pat on the back.
Who was breaking away from the pack.
Who was only a stranger at home.
Who was ground down in the end.
Who was found dead on the phone.
Who was dragged down by the stone.
Pink Floyd: Live at Pompeii
Pink Floyd: Live at Pompeii is a 1972 film featuring Pink Floyd performing six songs in the ancient Roman amphitheatre in Pompeii, Italy. It was directed by Adrian Maben and recorded in the month of October with 24 studio-quality tracks without a live audience.
The performances of "Echoes," "A Saucerful of Secrets," and "One of These Days" were filmed from October 4, 1971 to October 7, 1971. The remaining songs were filmed in a Paris studio, along with additional front projection footage for insertion into the Pompeii performances. The sequences in Paris were filmed in late 1971/early 1972, and can be distinguished by the absence of Richard Wright's beard. This version was released in cinemas in September 1972 and is also included on the DVD edition as an extra feature.
In August 1974, another version was released combining the original film with supposed recording sessions of The Dark Side of the Moon at Abbey Road Studios. These sessions were actually staged for the film, as the recording of the album had been completed when these sessions were filmed in January 1973 and the band was mixing the album at the time.
Pink Floyd - Echoes (Lyrics)
Overhead the albatross hangs motionless upon the air
And deep beneath the rolling waves
In labyrinths of coral caves
The echo of a distant tide
Comes willowing across the sand
And everything is green and submarine.
And no-one called us to the land
And no-one knows the wheres or whys
But something stirs and something tries
And starts to climb towards the light
Strangers passing in the street
By chance two separate glances meet
And I am you and what I see is me
And do I take you by the hand
And lead you through the land
And help me understand the best I can
And no-one calls us to move on
And no-one forces down our eyes
And no-one speaks and no-one tries
And no-one flies around the sun
Cloudless everyday you fall upon my waking eyes
inviting and inciting me to rise
And through the window in the wall
Come streaming in on sunlight wings
A million bright ambassadors of morning
And no-one sings me lullabies
And no-one makes me close my eyes
And so I throw the windows wide
And call to you across the sky
"Set The Controls For The Heart Of The Sun" (Lyrics)
Little by little the night turns around.
Counting the leaves which tremble at dawn
Lotuses lean on each other in yearning
Under the eaves the swallow is resting
Set the controls for the heart of the sun.
Over the mountain watching the watcher.
Breaking the darkness, waking the grapevine.
One inch of love is one inch of shadow
Love is the shadow that ripens the wine.
Set the controls for the heart of the sun.
The heart of the sun, the heart of the sun.
Witness the man who raves at the wall
Making the shape of his questions to Heaven
Whether the sun will fall in the evening
Will he remember the lesson of giving?
Set the controls for the heart of the sun.
The heart of the sun, the heart of the sun.
The performances of "Echoes," "A Saucerful of Secrets," and "One of These Days" were filmed from October 4, 1971 to October 7, 1971. The remaining songs were filmed in a Paris studio, along with additional front projection footage for insertion into the Pompeii performances. The sequences in Paris were filmed in late 1971/early 1972, and can be distinguished by the absence of Richard Wright's beard. This version was released in cinemas in September 1972 and is also included on the DVD edition as an extra feature.
In August 1974, another version was released combining the original film with supposed recording sessions of The Dark Side of the Moon at Abbey Road Studios. These sessions were actually staged for the film, as the recording of the album had been completed when these sessions were filmed in January 1973 and the band was mixing the album at the time.
Pink Floyd - Echoes (Lyrics)
Overhead the albatross hangs motionless upon the air
And deep beneath the rolling waves
In labyrinths of coral caves
The echo of a distant tide
Comes willowing across the sand
And everything is green and submarine.
And no-one called us to the land
And no-one knows the wheres or whys
But something stirs and something tries
And starts to climb towards the light
Strangers passing in the street
By chance two separate glances meet
And I am you and what I see is me
And do I take you by the hand
And lead you through the land
And help me understand the best I can
And no-one calls us to move on
And no-one forces down our eyes
And no-one speaks and no-one tries
And no-one flies around the sun
Cloudless everyday you fall upon my waking eyes
inviting and inciting me to rise
And through the window in the wall
Come streaming in on sunlight wings
A million bright ambassadors of morning
And no-one sings me lullabies
And no-one makes me close my eyes
And so I throw the windows wide
And call to you across the sky
"Set The Controls For The Heart Of The Sun" (Lyrics)
Little by little the night turns around.
Counting the leaves which tremble at dawn
Lotuses lean on each other in yearning
Under the eaves the swallow is resting
Set the controls for the heart of the sun.
Over the mountain watching the watcher.
Breaking the darkness, waking the grapevine.
One inch of love is one inch of shadow
Love is the shadow that ripens the wine.
Set the controls for the heart of the sun.
The heart of the sun, the heart of the sun.
Witness the man who raves at the wall
Making the shape of his questions to Heaven
Whether the sun will fall in the evening
Will he remember the lesson of giving?
Set the controls for the heart of the sun.
The heart of the sun, the heart of the sun.
John R. "Johnny" Cash
(February 26, 1932 – September 12, 2003), born J. R. Cash, was an American singer-songwriter, actor, and author, who has been called one of the most influential musicians of the 20th century.
Διογένης Δασκάλου Μonie & Monie Conniente
ΔΙΟΓΕΝΗΣ ΔΑΣΚΑΛΟΥ: Γεννήθηκε στις Σέρρες το 1965. Στα εννιά του χρόνια ξεκίνησε σαξόφωνο στη Φιλαρμονική του Δήμου Σερρών, ενώ ταυτόχρονα παρακολουθούσε μαθήματα θεωρίας στο Ωδείο της πόλης. Σε ηλικία 16 ετών πέρασε στο Κρατικό Ωδείο Θεσσαλονίκης. Διέκοψε, όμως, τις σπουδές του, σε ηλικία 18 ετών, όταν πρώτευσε στις εξετάσεις της Φιλαρμονικής του Στρατού, όπου και υπηρέτησε για τρία χρόνια. Στο διάστημα αυτό παρακολούθησε μαθήματα κλασικού κλαρινέτου στο Ωδείο Αθηνών, μαθήματα τζαζ σαξοφώνου με τους Άρη Καραντάνη και Ντέιβιντ Λιντς. Την ίδια περίοδο εργαζόταν ως session μουσικός σε δισκογραφικές παραγωγές. Επιστρέφει στη Θεσσαλονίκη το 1988. Το 1994, ο Διογένης Δασκάλου, δημιουργεί τους MONIE MONIE CONNIENTE
Νέο βιβλίο από τον Τζίμη Πανούση με τίτλο ‘’Ο Στάλιν σκέφτεται για σένα στο Κρεμλίνο’’
Έχω τον Κρόνο μου στον Οφιούχο. Πρέπει να βρω χρόνο να βγω για νυχτερινό κυνήγι κωλοφωτιάς, να μάσω καμιά δεκαριά πυγολαμπίδες, να τις βραχυκυκλώσω με κεντρί ομοφυλόφιλου κηφήνα, να πάρω τηλέφωνο τη φίλη μου την ιερόδουλη από τα Γιάννενα να μου στείλει βατραχοπόδαρα, να βρω κόκορα από μετανάστη στο ιστορικό κέντρο, να τον ξεδιαλέξω, να 'χει την απόγνωση συσσωρευμένη στο λειρί του... Θέλω ένα κομποσκοίνι δουλεμένο από αγιορείτη θεομπαίχτη καλόγερο (αυτό είναι πανεύκολο: έχω πολλές γνωριμίες στο χώρο τού αοράτου, γιατί ασχολούμαι παιδιόθεν με το real estate), και όλα αυτά να τα τυλίξω σε μονοκίνι, τριμμένο από νεροτσουλήθρες, να το κάμω κομπόδεμα και να το βάλω στο φούρνο με τα μικροκύματα! Τρία λεπτά θα μου πάρει, αυστηρά μετρημένα, κι εγώ θα πρέπει να ψέλνω εβραϊκές κατάρες στα Γερμανικά! Το θαυματουργό ματζούνι το αλείφεις στους κροτάφους μαζί με δυο κρόκους από χρυσά αβγά και βγαίνεις στην ταράτσα, δώδεκα και μισή το βράδυ, για μαγνητική φεγγαροθεραπεία στο χάσιμο του φεγγαριού. © Τζίμης Πανούσης, 2010 Εξώφυλλο: Τζίμης Πανούσης Σελίδες: 192 Εκδόσεις OPERA ΑΛΛΑ ΒΙΒΛΙΑ (του ιδίου) Η Ζάλη των Τάξεων Πικρέ, Μικρέ Μου Αράπη Το Κυνήγι της Γκόμενας Υγιεινή Διαστροφή Μικροαστική Καταστροφή Πούστευε και Mη Eρεύνα | ||
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